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A Life of Crime (Writing)

From Killer Women to Bloody Scotland, September has seen me pitch – literally – into a flurry of crime…I’ve been grilled by a panel, defended myself in public, put my statement down on paper, and got my mugshot up there with the best of them. The confession? Of course, I’m talking about the writing of crime, not actually perpetrating it. And even then, ‘crime’ might be stretching it a bit, I’m probably sheltering more under the broad label of psychological thriller. I’ve always loved crime novels, from classic Agatha Christie to contemporary cosies from Lynn Cahoon, and all the local (Scotland) writers in between. The same goes for psychological suspense. But had I ever seen myself writing either? No, not really. The whole genre has always been a mystery (no pun intended) to me. How does an author do it? Painstaking planning and water-tight plotting; clues, red herrings and hints; authentic...
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Telling It Like The Telly

I found television over the summer. It’s not that we don’t have one at home, we do, but it’s inherited, from The Old Days, and the size of a postage stamp. Squinting through each section of my multi-focal glasses isn’t really worth it (except for Masterchef Australia, the best programme ever).

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The Invisible Women

Most of the time I’m not only content to be invisible, I actively seek out invisibility. It’s one of my markers of being a good editor – there should be no evidence of me in an author’s work, my role is in the wings: prompter and advisor.

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The Edinburgh Bookshop Speakeasy

A beautiful Friday evening in summer. A book shop. Great company. A wee tipple at the end of the week – What’s not to love?

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Storytelling, Two Ways

The month of May has yielded a bumper crop of writing outputs. Not only have I been able to add an unprecedented four new books to my ‘shelf-of-books-in-which-I’ve-had-some-little-involvement’, I’ve also been to two very different fiction ‘launches’.

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